"Are you familiar with the sexy internet?" asks a performer during Private View by Restless Dance Theatre.
One audience member gamely answers in the negative, only to be told they are lying, because a clear conscience is a clear browser history.
Private View has just wrapped a sold-out run at the Adelaide Festival where they had to add extra chairs to fit the audience in the theatre.
And there are hopes its very particular brand of hilarity, heart, and discomfort will tour to other capital cities.
The company works with dancers with and without disabilities, and its latest dance piece explores the taboo subjects of love and sex.
It's new territory for Restless, and material that some in the audience will find uncomfortable, artistic director Michelle Ryan said.
But she's proud of how the show has evolved, and said the company's dancers are in peak form.
"I'm glad people are finally acknowledging that these these people are artists," Ms Ryan said.
"Hopefully people don't see the disability and just actually see the craft of what they're doing."
Private View is staged on four elevated platforms surrounding the audience, which are lit one by one to delve into different realms of desire.
The show begins with the disembodied eyes and lips of composer and singer Carla Lippis projected onto a curtain.
Then the chanteuse herself appears, clad in velvet, to participate in a dancer's perfect date in a French restaurant.
The audience is then able to peep inside a bedroom of sorts, walled with venetian blinds, through which performers can peek, poke and beckon.
It's a show full of glorious visual metaphors - who knew the act of removing socks could be so hilariously suggestive?
Lippis also wanders through the audience with a vintage phone, a hotline for questions about love, intimacy and sex - and the temperature rises as performers ask the audience some increasingly uncomfortable questions.
What does intimacy really mean? Heartbreakingly, one audience member admits she hasn't often heard the phrase "I love you" or, at least, not enough.
Outside the theatre there are more phones: Pick up the receiver to hear people with disabilities talk about physical intimacy - sometimes it's desired, and sometimes it's an unwanted but necessary part of living with a disability.
Private View was developed in the studio, using workshops and interviews with people with disabilities as source material, and Restless also engaged an intimacy coach.
It's been a busy time for the Adelaide-based company, which performed at the Sydney Opera House and in Melbourne in 2023, along with a tour to Korea.
Ms Ryan believes Private View will lead audiences to question their perceptions about disability, but fundamentally the show is based on universal themes.
"We all experience love, desire, heartbreak, all those things," she said.
"You charm people first, you have fun with them next, then you hit them in the heart."
AAP travelled with the assistance of the Adelaide Festival.
